Considered as “femmages” or feminist collages, a term coined by Miriam Shapiro, her collaged forms expand from manipulated textiles, mirror installations, Barbie sculptures, collage tapestries, installation, and digital programs –all with intent to interrogate images of women in visual culture, challenging their construction as subjects of the male gaze.

This compiles works from 2019 to present. It contains a range of digital and analog collages and includes explorations into other forms of materiality.